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FIRST REVIEWS OF 'LIFE'

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FIRST REVIEWS OF 'LIFE' Empty FIRST REVIEWS OF 'LIFE'




I have only posted the reviews about Rob's performance, links to full review under each excerpt, and remember there may be spoilers.

HeyUGuys:
Considering we’re living vicariously through Robert Pattinson’s Dennis Stock in Anton Corbijn’s ambitious biographical drama Life, we rely on our protagonist earning the trust of Hollywood icon and star James Dean, to be granted the fortune of getting beneath the surface of his subject, to allow the audience to do so themselves. What transpires is an absorbing insight into the life of one of the industry’s mot renowned, and elusive stars....Given the undeniable charm and charisma of Pattinson, there was always the fear that he would steal the show from his counterpart, and be perceived as the star. However such is his understated, subtle turn, it allows DeHaan to take on that very role, which, given he’s playing James Dean, simply has to be the case.
http://www.heyuguys.com/life-review/


Cine-Vue:
DeHaan and Pattinson are also both terrific, at once elegant and charismatic, yet equally uncomfortable in the skins they inhabit. Dean's ability to mirror the dilemmas of a disenfranchised generation of youngster made him a star and whilst DeHaan's performance is a little over-exaggerated, he still manages to capture that sense of relatable despondency. This also affords Pattinson time out of the spotlight in one of his strongest roles to date.
http://www.cine-vue.com/2015/02/berlin-2015-life-review.html


London Evening Standard:
Pattinson as the restlessly ambitious Stock is more edgy (you can’t help wishing he had been cast as Dean instead)
http://www.standard.co.uk/goingout/film/berlin-film-festival-life--review-a-crude-impersonation-of-james-dean-10037976.html

Boston Herald:
How honest, personal and affecting is LIFE.... Robert Pattinson is perfectly cast as Stock, a man adrift with an ex-wife from a teenage marriage and guilt filled about the young son he never sees.
http://www.bostonherald.com/entertainment/movies/hollywood_mine/2015/02/berlin_diary_days_three_four

Canvas:
The main things you'll remember are Pattinson's best performance and the finest projectile vomit scene you’ve ever seen.
http://canvas.grolsch.com/film-works/berlinale-2015-anton-corbijns-life-dennis-stock-photography

Variety:
Robert Pattinson in a sly turn as Dennis Stock...It’s the peculiarly moving, even subtly queer friendship between the two men that distinguishes “Life” from standard inside-Hollywood fare, while gorgeous production values and ace star turns make it a thoroughly marketable arthouse prospect...DeHaan and Pattinson enact this anti-romance beautifully, each man quizzically eyeing the other for leads and clues, while coyly retreating from scrutiny. Pattinson, adding to his post-“Twilight” gallery of sharp-cut screw-ups, brings intriguing layers of childish dysfunction to a character who is only ostensibly the straight man in the partnership.
http://variety.com/2015/film/reviews/berlin-film-review-anton-corbijns-life-1201427895/

Gone With The Movies:
For Robert Pattinson, his take on iconic photographer Dennis Stock is equally as impressive as he enters the world of Hollywood from the other side of the carpet (and at bottom). Spotting Dean's talent early, Stock, in the two-hour running time attempts to get photographs of Dean before fame kicks in. Deadlines, pressure and awkwardness soon mount-up, and Pattinson expertly presents it onto screen.
http://gonewiththemovies.com/reviews/life-review.php#.VNn36C7jeYz

Little White Lies:
Robert Pattinson impresses in this stylish drama about the relationship between celebrity and the media. An intense mob formed around the Berlinale press screening of Anton Corbijn's Life — such is the continued allure of Robert Pattinson. His fans beyond the festival will be pleased to hear that his brittle performance as LIFE magazine photographer, Dennis Stock, outshines Dane DeHaan's over-baked rendering of James Dean, although the latter is poignant enough to enliven this tale of men helping each other to take a leap into greatness...Pattinson's performance is as crisp as the white shirt and black suits his character always wears. This is a camouflage for his own problems that slowly unfurl, adding colour and improving the film...The social backdrop is just as carefully wrought. In another film, Ben Kingsley's fuming studio head, Jack Warner, would be The Other Man to Jimmy Dean and the tussle would be Saving Mr Banks flavour. Instead, Kingsley ball-busts just enough to give Jimmy's non-conformity gravitas, but the viewfinder is trained on the man behind the camera. Pattinson steps up, allowing more of his character's insides to come out. As Life proceeds the pace picks up and by the third act, it is a compelling dramatisation of an artistically fascinating alliance.
http://www.littlewhitelies.co.uk/features/articles/berlinale-2015-life-29181

Screen Daily:
The two leads convince as actors; it’s the characters that are more of a problem. DeHaan method acts his way into the persona of a consummate method actor whose cool persona was partly a protective screen; his Dean is very much in the mould of the Dean remembered by his East Of Eden co-star Lois Smith, who once said: “He was a sweet, rustic person, but there was also this suspicious, taut, guarded young man”. Pattinson’s hangdog character is defined by an exchange in which, after Dean tells him he’s disappointed in him, he replies “you’re not the only one”.
http://m.screendaily.com/5082937.article

The Hollywood Reporter:
While Pattinson has endured a lot of gratuitous bashing post-Twilight, he gives arguably the most fully rounded performance here
http://www.hollywoodreporter.com/review/robert-pattinson-dane-dehaan-life-771272?mobile_redirect=false

Via: http://www.robsessedpattinson.com/2015/02/robert-pattinson-is-perfectly-cast.html
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